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Killing of Erõtikos
  • Killing of Erõtikos
  • Grieving
  • Gagged
  • Hour by Hour
  • To Be Found

  • Foreword and most representative work
  • Selections from Imaginary Lovers
  • Paintings & Narrative by Richard Tylman
  • Previously on this page with An Ode to Whales

  • Killing of Erõtikos*

     
    Since the killing of Erõtikos
    I've been romancing clay pots—
    fallen acorns—beach pebbles;
    smiling at slabs of concrete
    and occasionally patting floorboards
    on their rock-solid backs.
    I've been talking to drying paint.

    Erõtikos, my Mediterranean master!
    I could see blackberry juice gushing
    from your gaping wound . . .
    something about not being of this Earth.

    My Erõtikos, casting spells of
    snobby sophistication!
    You used to talk nineteen to the dozen**
    while in bed. I thought
    you'd go down with a single stab
    to the heart, but you didn't.
    Instead you whispered
    that we could still be friends
    if I hurry to your garden
    and throw myself headlong
    into the wood chipper
    in time for your sluggish death.

    I said and did nothing
    of the sort.
    You must have been
    out of your friggin' mind.

    Richard Tylman
     



    * In Erõtikos / Dialogue on Love Plutarch argues that "the noble lover of beauty engages in love wherever he sees excellence . . . without regard for any difference in physiological detail." His remarks are commonly interpreted as relating to both male and female gender though they could also be seen as rendering all physical attributes superficial. Etymology: from Greek Erõtikos (gen. erotos), pertaining to the passion of love, personified by Eros, "amatory;" also, a popular Greek surname.

    ** "Nineteen to the dozen." The usual meaning of this phrase is to do something at an elevated rate; most often referred to speed of speaking as well as rapid heartbeat in times of danger or fast-moving and fast-changing things; blabber, chatter; first recorded in eighteenth century England.

    Featured

    Grieving

    Can we ever get over
    the loss of a loved one?
    How do we learn to remember
    the occasions of joy
    without subsequent pain?

    The solutions came to me
    at the end of a wavering prayer
    long after I lost
    the sense of urgency.

    Getting through each day is
    how best to resolve the pain of loss—
    by keeping it in—
    without the exploits of discourse.

    We cure the numbing pain
    fixed in the pit of the stomach
    by focusing on it for
    what feels like perpetuity.

    Mourning is how best to conclude
    the grief of infinite loss.
    It is a form of ritual though unlike rituals
    it takes its own twists and turns
    'till the healing is all the way through.

    There's anger and the fuming denial
    of certainty, then the hopeless bargaining
    for things once familiar.
    There's the spell of depression and
    arduous acceptance of what's unacceptable!
    We're letting in only as much as
    we can handle, unable to believe ourselves
    and disjointed with the universe.

           “Given that I'm sane enough to love
           I must be sound enough to grieve—
           strong enough to withdraw from society
           and to be up in arms about losing it all;
           stubborn enough to bargain for
           saving the past from its timeline—yet
           sensitive enough to feel numb
           before the acceptance of change.”

    Over time the light
    begins to shine once more with
    our sense of disbelief built-in,
    parallel with the missing connection.
    We are no longer isolated from within.
    No longer amalgamated from without—
    again guided frontward
    by the luminosity of personal journey.

    This is how the grief of infinite loss
    gets amended. There's freedom to be gained
    in understanding—nonetheless,
    we are stripped of innocence
    by the experience.

           “For Mercy has a human heart [...],
           And Love, the human form divine,
           And Peace, the human dress.”
    *

    And hope, the scars of memory.

    Richard Tylman
     



    * William Blake, "The Divine Image" from Songs of Innocence. In Blake's phenomenology: mercy (meant as compassion and kindness), pity (or the capacity to feel sadness), love and peace are all "virtues of delight" to be thankful for, regardless of the distress they're associated with.

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    Gagged

    I'm tiptoeing
    around the white elephant.
    Pretending not to comprehend!
    Talking about paranoid ideations
    like they were brilliant remarks
    worthy of future debate!
    "Oh yes, it's true, your neighbours
    are plotting to get you, but try
    to relax. Let's enjoy
    ourselves for the moment.
    They will attack only
    after you're already gone,
    safe and sound," rolling marijuana
    between disbeliefs.

    I'm trying to pay attention while
    drowning in a sea of nonsense
    with brain waves crushing
    against coves of darkness.
    You seem determined
    to medicate yourself
    out of quantifiable honesty . . . .

    I feel silenced! Silence is
    what caring for you signifies.
    There's no treatment for those
    suffering from nondelusional suspicions
    resulting from drug abuse. Yet,
    you respond with radiance
    to reassurances from such a trusted
    and supportive individual
    living in awe of the ceaseless hold
    of the fear of loneliness!

    I'm gently trying to persuade you
    toward reality, fearful of
    my next fairground ride with paranoia.
    Stumbling through the panic of love!

    Richard Tylman

    Featured

    Hour by Hour

    I pretend to be working just to feel safe, like there was nothing out of the ordinary about this morning with magnolias in heavy-petal bloom, but I can hear the voice of Master Adi Da* uttering words from a place where nothing is real because nothing is as it appears. I glance out the window to see if you're coming, but you're not. You probably won't. I push away thoughts of what went on between us yesterday. What you said about me: first, early; then again at dinner time. You were upset about my constant talk of poetry, my wearing shoes in the kitchen and that I wouldn't lend you any money if you were in need. How dare you imply such coldness of my heart? You said I've been shutting you out and that you're afraid of telling me anything secret because I would inevitably pass it around. You're afraid about what was going to happen to your home and how I wouldn't listen to your concerns. Why is darkness so inexplicably dark, I ask? Why am I searching for anything definite in a place where absolutely nothing is definite? Why do I refuse to deal with drug induced disturbances to your mind's neural connectivity and instead hide in silence? Why am I the keeper of shadows?

    Richard Tylman
     



    * Master Adi Da Samraj is a contemporary spiritual teacher, an Avatar of the "esoteric" tradition. Born as Franklin Jones on Long Island, New York in 1939, Adi Da is said to have been deluding and seducing his devotees with stimulants and subtle coercion.

    Featured

    To Be Found

    People I used to know
    have—moved on and—become
    somebody else.
    But the memories of joy
    are vividly awake.
    Like the summer
    in the Polish mountains
    where we ate pan fried mushrooms
    by the basket,
    collected every day
    from the grassy slopes.

    Deeper yet in my mind
    are the things I did
    out of the feeling of entrapment,
    leaving behind a mess
    as I passed through.

    Have you heard of Sierra Madre?
    There are no alien dealers there,
    no suburban grow-ops,
    no drug-induced insanity.
    We might get stoned on mountain air
    away from metropolitan desolation.
    There are forest springs
    in Sierra Madre del Sur
    said to cure body and mind.
    We could start an Internet café
    by the country road in Oaxaca Valley
    for those crack addicted poets
    who blame God for their own rage
    and thrash about
    among Ponderosa pines.
    We would never get old again,
    ugly and powerless
    like today.

    Sooner or later we are going to
    have to take sides, if
    we are to remain human.
    Those who come to Sierra Madre del Sur
    understand a lot just by looking around.
    Whatever it is they're hoping for
    they will find there.
    The rest has got to be earned.


    Richard Tylman


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